The Latest

nevver:

Chuck
Jul 23, 2014 / 1,972 notes
scavengedluxury:

123 Victoria Street. London, Jan 2014.
Jul 23, 2014 / 313 notes

scavengedluxury:

123 Victoria Street. London, Jan 2014.

(via scavengedluxury)

tumblropenarts:

Artist Name: Sonya and Bronya
Tumblr: http://sonya-bronya.tumblr.com/ 
Jul 23, 2014 / 178 notes

tumblropenarts:

Artist Name: Sonya and Bronya

Tumblr: http://sonya-bronya.tumblr.com/ 

Jun 2, 2014
Jan 6, 2014
Nov 30, 2013 / 1,371 notes
Nov 30, 2013 / 273,127 notes
Nov 26, 2013 / 30,484 notes
Nov 24, 2013 / 639 notes

nevver:

The Walking Dead, November 24, 1963

bobbycaputo:

Bazooka-Strapped Musicians Celebrate the Violence of Mexico’s Drug War

For years now, Mexican and Mexican-American singers have been rising to fame based on music that celebrates the violent lifestyle associated with the drug war south of the border. They belt out songs about drugs and guns and are often compared to rappers in the U.S. for the way they sensationalize violence. Only the songs aren’t about themselves, they’re about actual drug lords.
The songs are called narcocorridos, and filmmaker Shaul Schwarz recently spent two years following Edgar Quintero, a singer with the group BuKnas de Culiacan and a rising star of the genre. Schwarz’s film, Narco Cultura, opens in New York this Friday.
“While death statistics have been documented ad nauseam, far less has been said about the broader social reality created by the drug trade,” says Schwarz.
To write their songs, which are often celebrations of one person or one cartel, artists like Quintero will talk to the narco-traffickers on the phone and ask them things like what kinds of guns they use, what kind of acts they’ve committed, then pen the songs and have the narcos sign off on the final version. Sometimes there’s a big geographical disconnect between singer and content — Quintero actually lives in Los Angeles, has a family and only recently performed for the first time in Juarez.

(Continue Reading)
Nov 22, 2013 / 20 notes

bobbycaputo:

Bazooka-Strapped Musicians Celebrate the Violence of Mexico’s Drug War

For years now, Mexican and Mexican-American singers have been rising to fame based on music that celebrates the violent lifestyle associated with the drug war south of the border. They belt out songs about drugs and guns and are often compared to rappers in the U.S. for the way they sensationalize violence. Only the songs aren’t about themselves, they’re about actual drug lords.

The songs are called narcocorridos, and filmmaker Shaul Schwarz recently spent two years following Edgar Quintero, a singer with the group BuKnas de Culiacan and a rising star of the genre. Schwarz’s film, Narco Cultura, opens in New York this Friday.

“While death statistics have been documented ad nauseam, far less has been said about the broader social reality created by the drug trade,” says Schwarz.

To write their songs, which are often celebrations of one person or one cartel, artists like Quintero will talk to the narco-traffickers on the phone and ask them things like what kinds of guns they use, what kind of acts they’ve committed, then pen the songs and have the narcos sign off on the final version. Sometimes there’s a big geographical disconnect between singer and content — Quintero actually lives in Los Angeles, has a family and only recently performed for the first time in Juarez.

(Continue Reading)

Nov 22, 2013 / 37 notes

bobbycaputo:

"Lucid Stead" | Joshua Tree Desert, California |  Phillip K Smith III

Nov 18, 2013 / 1,748 notes
Nov 15, 2013 / 1 note
Nov 13, 2013 / 34 notes

bobbycaputo:

Behold, What The Inside Of A Strip Club Looks Like During The Day

Have you ever contemplated what the dark, smokey halls of a strip club would like under the light of day? Perhaps at night, with the right lighting and levels of inebriation, the debaucherous institutions possess a certain majestic quality to the patrons who love them the most. But what do those velvet sofas and empty poles look like in the waking hours?

Photographer Christopher Sturman answers the question quite beautifully in his series “NYC Strip.” For the project, he ventured to two different clubs — New York City’s Privilage and Rick’s Cabaret — capturing the empty venues that are rarely viewed without the crowds and scandalous activities that define them. The photos were originally published in 125 Magazine's Naked Issue, cleverly providing a “naked” perspective on the strip clubs themselves.

(Continue Reading)

artruby:

James Rosenquist, Ceci N’est Pas un Pistolet (1996).
At Phillips Contemporary Art Auction. 
Nov 11, 2013 / 338 notes

artruby:

James Rosenquist, Ceci N’est Pas un Pistolet (1996).

At Phillips Contemporary Art Auction